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The Acts of the Apostles (Ancient Greek Πράξεις τῶν Ἀποστόλων, Práxeis tôn Apostólōn; Latin Āctūs Apostolōrum), often referred to simply as Acts, is the fifth book of the New Testament; it tells of the founding of the Christian church and the spread of its message to the Roman empire.[1] Acts is the second half of a two-part work, referred to as Luke-Acts, by the same anonymous author, referred to as Luke the Evangelist, and usually dated to around 80-90 CE.[2][3] The first part, the Gospel of Luke, tells how God fulfilled his plan for the world s salvation through the life, death and resurrection of Jesus of Nazareth, the promised Messiah. Acts continues the story of Christianity in the 1st century, beginning with the Ascension of Christ. The early chapters, set in Jerusalem, describe the Day of Pentecost (the coming of the Holy Spirit) and the growth of the church in Jerusalem. Initially the Jews are receptive to the Christian message, but soon they turn against the followers of the Messiah. Rejected by the Jews, under the guidance of the Apostle Peter the message is taken to the Gentiles. The later chapters tell of Paul s conversion, his mission in Asia Minor and the Aegean, and finally his imprisonment in Rome, where, as the book ends, he awaits trial. Luke-Acts is an attempt to answer a theological problem, namely how the Messiah of the Jews came to have an overwhelmingly non-Jewish church; the answer it provides, and its central theme, is that the message of Christ was sent to the Gentiles because the Jews rejected it.[1] Contents [hide] 1 Composition and setting 1.1 Title, unity of Luke-Acts, authorship and date 1.2 Genre, sources and historicity of Acts 1.3 Audience and authorial intent 1.4 Manuscripts 2 Structure and content 2.1 Structure 2.2 Outline 2.3 Content 3 Theology 4 Comparison with other writings 4.1 Gospel of Luke 4.2 Pauline epistles 5 See also 6 References 7 Bibliography 8 External links Composition and setting[edit] Main article Authorship of Luke–Acts Ministry of the Apostles Russian icon by Fyodor Zubov, 1660 Title, unity of Luke-Acts, authorship and date[edit] The title "Acts of the Apostles" (Greek Πράξεις ἀποστόλων Praxeis Apostolon) was first used by Irenaeus in the late 2nd century. It is not known whether this was an existing title or one invented by Irenaeus; it does seem clear, however, that it was not given by the author.[4] The gospel of Luke and Acts make up a two-volume work which scholars call Luke-Acts.[3] Together they account for 27.5% of the New Testament, the largest contribution attributed to a single author, providing the framework for both the Church s liturgical calendar and the historical outline into which later generations have fitted their idea of the story of Jesus and the early church.[5] The author is not named in either volume.[6] According to Church tradition dating from the 2nd century, he was the "Luke" named as a companion of the apostle Paul in three of the letters attributed to Paul himself; this view is still sometimes advanced, but "a critical consensus emphasizes the countless contradictions between the account in Acts and the authentic Pauline letters."[7] (An example can be seen by comparing Acts accounts of Paul s conversion (Acts 9 1-31, 22 6-21, and 26 9-23) with Paul s own statement that he remained unknown to Christians in Judea after that event (Galatians 1 17-24).)[8] He admired Paul, but his theology was significantly different from Paul s on key points and he does not (in Acts) represent Paul s views accurately.[9] He was educated, a man of means, probably urban, and someone who respected manual work, although not a worker himself; this is significant, because more high-brow writers of the time looked down on the artisans and small business-people who made up the early church of Paul and were presumably Luke s audience.[10] The earliest possible date for the composition of Acts is set by the events with which it ends, Paul s imprisonment in Rome c.63 CE, but an early date is now rarely put forward.[11][12] The last possible date would be set by its first definite citation by another author, but there is no unanimity on this–some scholars find echoes of Acts in a work from c.95 CE called I Clement, while others see no indisputable citation until the middle of the 2nd century.[11] If Acts uses Josephus as a source, as has been proposed, then it must have been composed after 93 CE; it does not show any knowledge of Paul s letters, a fact which also supports a late date; and the social situation it reflects is one in which the faithful need "shepherds" to protect them from heretical (possibly Marcionite) "wolves", which again reflects a late date.[11] Most experts therefore date it to around 80-90 CE, although some suggest 90-110, [2] and there is evidence that it was still being substantially revised well into the 2nd century.[13] Genre, sources and historicity of Acts[edit] Luke (or more accurately the anonymous author of Luke-Acts) describes his work, Luke-Acts, as a "narrative" (diegesis). Acts, the second part, is widely thought of as a history, but it lacks exact analogies in Hellenistic or Jewish literature.[14] The title "Acts of the Apostles" (Praxeis Apostolon) would seem to identify it with the genre telling of the deeds and achievements of great men (praxeis), but it was not the title given by the author.[4] Luke seems to have taken as his model the works of two respected Classical authors, Dionysius of Halicarnassus, who wrote a well-known history of Rome, and the Jewish historian Josephus, author of a history of the Jews.[15] Like them he anchors his history by dating the birth of the founder (Romulus for Dionysius, Moses for Josephus, Jesus for Luke) and like them he tells how the founder is born from God, taught authoritatively, and appeared to witnesses after death before ascending to heaven.[15] By and large the sources for Acts can only be guessed at,[16] but Luke would have had access to the Septuagint (a Greek translation of the Jewish scriptures), the gospel of Mark and the collection of "sayings of Jesus" called the Q source.[17] He transposed a few incidents from Mark s gospel to the time of the Apostles – for example, the material about "clean" and "unclean" foods in Mark 7 is used in Acts 10, and Mark s account of the accusation that Jesus has attacked the Temple (Mark 14 58) is used in a story about Stephen (Acts 6 14).)[18] There are also points of contacts (meaning suggestive parallels but something less than clear evidence) with 1 Peter, the Letter to the Hebrews, and 1 Clement.[19] Other sources can only be inferred from internal evidence – the traditional explanation of the three "we" passages, for example, is that they represent eye-witness accounts.[20] The search for such inferred sources was popular in the 19th century, but by the mid-20th it had largely been abandoned.[21] Acts was read as a reliable history of the early church well into the post-Reformation era. By the 17th century, however, biblical scholars began to notice that it was incomplete and tendentious – its picture of a harmonious church is quite at odds with that given by Paul s letters, and it omits important events such as the deaths of both Peter and Paul. The mid-19th century scholar Ferdinand Baur suggested that Luke had re-written history to present a united Peter and Paul and advance a single orthodoxy against the Marcionites. (Marcion was a 2nd-century heretic who wished to cut Christianity off entirely from the Jews). Baur continues to have enormous influence, but today there is less interest in determining Luke s historical accuracy (although this has never died out) than in understanding his theological program.[22] Audience and authorial intent[edit] Luke was written to be read aloud to a group of Jesus-followers gathered in a house to share the Lord s supper.[15] The author assumes an educated Greek-speaking audience, but directs his attention to specifically Christian concerns rather than to the Greco-Roman world at large.[23] He begins his gospel with a preface addressed to Theophilus, informing him of his intention to provide an "ordered account" of events which will lead his reader to "certainty".[10] He did not write in order to provide Theophilus with historical justification – "did it happen?" – but to encourage faith – "what happened, and what does it all mean?"[24] Acts (or Luke-Acts) is intended as a work of "edification."[25] Edification means "the empirical demonstration that virtue is superior to vice,"[26] but is not all of Luke s purpose. He also engages with the question of a Christian s proper relationship with the Roman Empire, the civil power of the day could a Christian obey God and also Caesar? The answer is ambiguous.[27] The Romans never move against Jesus or his followers unless provoked by the Jews, in the trial scenes the Christian missionaries are always cleared of charges of violating Roman laws, and Acts ends with Paul in Rome proclaiming the Christian message under Roman protection; at the same time, Luke makes clear that the Romans, like all earthly rulers, receive their authority from Satan, while Christ is ruler of the kingdom of God. [28] Luke-Acts can be also seen as a defense of (or "apology" for) the Jesus movement addressed to the Jews the bulk of the speeches and sermons in Acts are addressed to Jewish audiences, with the Romans featuring as external arbiters on disputes concerning Jewish customs and law.[27] On the one hand Luke portrays the Christians as a sect of the Jews, and therefore entitled to legal protection as a recognised religion; on the other, Luke seems unclear as to the future God intends for Jews and Christians, celebrating the Jewishness of Jesus and his immediate followers while also stressing how the Jews had rejected God s promised Messiah.[29] Manuscripts[edit] There are two major textual variants of Luke-Acts, the Western text-type and the Alexandrian. The oldest complete Alexandrian manuscripts date from the 4th century and the oldest Western ones from the 6th, with fragments and citations going back to the 3rd. Western texts of Acts are 10% longer than Alexandrian texts, the additions tending to enhance the Jewish rejection of the Messiah and the role of the Holy Spirit, in ways that are stylistically different from the rest of Acts.[30] These conflicts suggest that Luke-Acts was still being substantially revised well into the 2nd century.[13] The majority of scholars prefer the Alexandrian (shorter) text-type over the Western as the more authentic, but this same argument would favour the Western over the Alexandrian for the gospel of Luke, as in that case the Western version is the shorter. The debate therefore continues.[30] Structure and content[edit] Acts 1 1-2a from the 14th century Minuscule 223 Structure[edit] Acts has two key structural principles. The first is the geographic movement from Jerusalem, centre of God s Covenantal people the Jews, to Rome, centre of the Gentile world. This structure reaches back to the author s preceding work, the Gospel of Luke, and is signaled by parallel scenes such as Paul s utterance in Acts 19 21, which echoes Jesus words 9 51 (Paul has Rome as his destination, as Jesus had Jerusalem). The second key element is the roles of Peter and Paul, the first representing the Jewish Christian church, the second the mission to the Gentiles.[31] Transition reprise of the preface addressed to Theophilus and the closing events of the gospel (Acts 1-1 26) Petrine Christianity the Jewish church from Jerusalem to Antioch (Acts 2 1-12 25) 2 1-8 1 - beginnings in Jerusalem 8 2-40 - the church expands to Samaria and beyond 9 1-31 - conversion of Paul 9 32-12 25 - the conversion of Cornelius, and the formation of the Antioch church Pauline Christianity the Gentile mission from Antioch to Rome (Acts 13 1-28 21) 13 1-14 28 - the Gentile mission is promoted from Antioch 15 1-35 - the Gentile mission is confirmed in Jerusalem 15 36-28 31 - the Gentile mission, climaxing in Paul s passion story in Rome (21 17-28 31) Outline[edit] Dedication to Theophilus (1 1–2) Resurrection appearances (1 3) Great Commission (1 4–8) Ascension (1 9) Second Coming Prophecy (1 10–11) Matthias replaced Judas (1 12–26) the Upper Room (1 13) Holy Spirit came at Pentecost (2), see also Paraclete Peter healed a crippled beggar (3 1–10) Peter s speech at the Temple (3 11–26) Peter and John before the Sanhedrin (4 1–22) Resurrection of the dead (4 2) Believers Prayer (4 23–31) Everything is shared (4 32–37) Ananias and Sapphira (5 1–11) Signs and Wonders (5 12–16) Apostles before the Sanhedrin (5 17–42) Seven Greeks appointed (6 1–7) Saint Stephen before the Sanhedrin (6 8–7 60) The "Cave of the Patriarchs" was located in Shechem (7 16) "Moses was educated in all the wisdom of the Egyptians" (7 22) First mentioning of Saul (Paul the Apostle) in the Bible (7 58) Paul the Apostle confesses his part in the martyrdom of Stephen (7 58-60) Saul persecuted the Church of Jerusalem (8 1–3) Philip the Evangelist (8 4–40) Simon Magus (8 9–24) Ethiopian eunuch (8 26–39) Conversion of Paul the Apostle (9 1–31, 22 1–22, 26 9–24) Paul the Apostle confesses his active part in the martyrdom of Stephen (22 20) Peter healed Aeneas and raised Tabitha from the dead (9 32–43) Conversion of Cornelius (10 1–8, 24–48) Peter s vision of a sheet with animals (10 9–23, 11 1–18) Church of Antioch founded (11 19–30) term "Christian" first used (11 26) Saint James the Great executed (12 1–2) Peter s rescue from prison (12 3–19) Death of Herod Agrippa I [in 44] (12 20–25) "the voice of a god" (12 22) Mission of Barnabas and Saul (13–14) "Saul, who was also known as Paul" (13 9) called "gods ... in human form" (14 11) Council of Jerusalem (15 1–35) Paul separated from Barnabas (15 36–41) 2nd and 3rd missions (16–20) Areopagus sermon (17 16-34) "God...has set a day" (17 30–31) Trial before Gallio c. 51–52 (18 12–17) Trip to Jerusalem (21) Before the people and the Sanhedrin (22–23) Before Felix–Festus–Agrippa II (24–26) Trip to Rome (27–28) called a god on Malta (28 6) Content[edit] See also Early Christianity and Jewish Christians The Gospel of Luke began with a prologue addressed to Theophilus; Acts likewise opens with an address to Theophilus and refers to "my earlier book", almost certainly the gospel. The apostles and other followers of Jesus meet and elect Matthias to replace Judas as a member of The Twelve. On Pentecost, the Holy Spirit descends and confers God s power on them, and Peter, along with John, preaches to many in Jerusalem, and performs Christ-like healings, casting out of evil spirits, and raising of the dead. At first many Jews follow Christ and are baptized, but the Christians begin to be increasingly persecuted by the Jews. Stephen is arrested for blasphemy, and after a trial, is found guilty and stoned by the Jews. Stephen s death marks a major turning point the Jews have rejected the message, and henceforth it will be taken to the Gentiles.[32] The message is taken to the Samaritans, a people rejected by Jews, and to the Gentiles. Saul of Tarsus, one of the Jews who persecuted the Christians, is converted by a vision to become a follower of Christ (an event which Luke regards as so important that he relates it three times). Peter, directed by a series of visions, preaches to Cornelius the Centurion, a Gentile God-fearer, who becomes a follower of Christ. The Holy Spirit descends on Peter and Cornelius, thus confirming that the message of eternal life in Christ is for all mankind. The Gentile church is established in Antioch (north-western Syria, the third-largest city of the empire), and here Christ s followers are first called Christians.[33] The mission to the Gentiles is promoted from Antioch and confirmed at meeting in Jerusalem between Paul and the leadership of the Jerusalem church. Paul spends the next few years traveling through western Asia Minor and the Aegean,preaching, converting Gentiles, and founding new churches. On a visit to Jerusalem he is set on by a Jewish mob. Saved by the Roman commander, he is accused by the Jews of being a revolutionary, the "ringleader of the sect of the Nazarenes", and imprisoned. Paul asserts his right as a Roman citizen, to be tried in Rome and is sent by sea to Rome, where he spends another two years under house arrest, proclaiming the Kingdom of God and teaching the "Lord Jesus Christ". Acts ends abruptly without recording the outcome of Paul s legal troubles.[citation needed] Theology[edit] Paul s conversion, from Livre d Heures d Étienne Chevalier (c. 1450–1460), Jean Fouquet, in the Château de Chantilly. Prior to the 1950s Luke-Acts was seen as a historical work, written to defend Christianity before the Romans or Paul against his detractors; since then, however, the tendency has been to see the work as primarily theological.[34] Luke s theology is expressed primarily through his overarching plot, the way scenes, themes and characters combine to construct his specific worldview.[35] His "salvation history" stretches from the Creation to the present time of his readers, in three ages first, the time of "the Law and the Prophets" (Luke 16 16), the period beginning with Genesis and ending with the appearance of John the Baptist (Luke 1 5-3 1); second, the epoch of Jesus, in which the Kingdom of God was preached (Luke 3 2-24 51); and finally the period of the Church, which began when the risen Christ was taken into Heaven, and would end with his second coming.[36] Luke-Acts is an attempt to answer a theological problem, namely how the Messiah promised to the Jews came to have an overwhelmingly non-Jewish church; the answer it provides, and its central theme, is that the message of Christ was sent to the Gentiles because the Jews rejected it.[1] This theme is introduced at the opening of the gospel of Luke, when Jesus, rejected in Nazareth, recalls that the prophets were rejected by Israel and accepted by Gentiles; at the end of the gospel he commands his disciples to preach his message to all nations, "beginning from Jerusalem." He repeats the command in Acts, telling them to preach "in Jerusalem, in all Judea and Samaria, and to the end of the Earth." They then proceed to do so, in the order outlined first Jerusalem, then Judea, then Samaria, then the entire (Roman) world.[37] For Luke, the Holy Spirit is the driving force behind the spread of the Christian message, and he places more emphasis on it than do any of the other evangelists. The Spirit is "poured out" at Pentecost, on the first Samaritan and Gentile believers, and on disciples who had been baptised only by John the Baptist, each time as a sign of God s approval. The Holy Spirit represents God s power (At his ascension, Jesus tells his followers, "You shall receive power when the Holy Spirit has come upon you") through it the disciples are given speech to convert thousands in Jerusalem, forming the first church (the term is used for the first time in Acts 5).[38] Comparison with other writings[edit] Saint Paul Writing His Epistles, ascribed to Valentin de Boulogne, 17th century Gospel of Luke[edit] As the second part of the two-part work Luke-Acts, Acts has significant links to the gospel of Luke. Major turning points in the structure of Acts, for example, find parallels in Luke the presentation of the child Jesus in the Temple parallels the opening of Acts in the Temple, Jesus forty days of testing in the wilderness prior to his mission parallel the forty days prior to his Ascension in Acts, the mission of Jesus in Samaria and the Decapolis (the lands of the Samaritans and Gentiles) parallels the missions of the Apostles in Samaria and the Gentile lands, and so on (see Gospel of Luke). These parallels continue through both books.[39] There are also differences between Luke and Acts, amounting at times to outright contradiction. For example, the gospel seems to place the Ascension on Easter Sunday, immediately after the Resurrection, while Acts 1 puts it forty days later.[40] There are similar conflicts over the theology. While not seriously questioning the single authorship of Luke-Acts, these differences do suggest the need for caution in seeking too much consistency in books written in essence as popular literature.[41] Pauline epistles[edit] Acts agrees with Paul s letters on the major outline of Paul s career as Saul he is converted and becomes Paul the Christian missionary and apostle, establishing new churches in Asia Minor and the Aegean and struggling to free Gentile Christians from the Jewish Law. There are also agreements on many incidents, such as Paul s escape from Damascus, where he is lowered down the walls in a basket. But details of these same incidents are frequently contradictory for example, according to Paul it was a pagan king who was trying to arrest him in Damascus, but according to Luke it was, characteristically, the Jews (2 Corinthians 11 33 and Acts 9 24). Many of the disagreements are not so immediately obvious Acts speaks of "Christians" and "disciples", but Paul never uses either term, and there are striking differences in the accounts of Paul s relationship with the Jerusalem church and its leaders (Acts 9-15 vs. Galatians 1-2). Acts omits much from the letters, notably Paul s problems with his congregations (internal difficulties are said to be the fault of the Jews instead), and his apparent final rejection by the church leaders in Jerusalem (Acts has Paul and Barnabas deliver an offering that is accepted, a trip that has no mention in the letters). There are also major differences between Acts on Paul on Christology (the understanding of Christ s nature), eschatology (understanding of the "last things"), and apostleship.[42] See also[edit] Historical reliability of the Acts of the Apostles List of Gospels List of omitted Bible verses Textual variants in the Acts of the Apostles Acts of the Apostles (genre) Acts of Andrew Acts of Barnabas Acts of John Acts of the Martyrs Acts of Paul Acts of Paul and Thecla Acts of Peter Acts of Peter and Paul Acts of Peter and the Twelve Acts of Pilate Acts of Philip Acts of Thomas Acts of Timothy The Lost Chapter of the Acts of the Apostles References[edit] ^ Jump up to a b c Burkett 2002, p. 263. ^ Jump up to a b Charlesworth 2008, p. no page number. ^ Jump up to a b Burkett 2002, p. 195. ^ Jump up to a b Matthews 2011, p. 12. Jump up ^ Boring 2012, p. 556. Jump up ^ Burkett 2002, p. 196. Jump up ^ Theissen Merz 1998, p. 32. Jump up ^ Perkins 1998, p. 253. Jump up ^ Boring 2012, p. 590. ^ Jump up to a b Green 1997, p. 35. ^ Jump up to a b c Boring 2012, p. 587. Jump up ^ Theissen Merz 1996 [tr. 1998], p. 32. ^ Jump up to a b Perkins 2009, p. 250-253. Jump up ^ Aune 1988, p. 77. ^ Jump up to a b c Balch 2003, p. 1104. Jump up ^ Bruce 1990, p. 40. Jump up ^ Boring 2012, p. 577. Jump up ^ Witherington 1998, p. 8. Jump up ^ Boring 2012, p. 578. Jump up ^ Bruce 1990, p. 40-41. Jump up ^ Boring 2012, p. 579. Jump up ^ Holladay 2011, p. no page numbers. Jump up ^ Green 1995, p. 16-17. Jump up ^ Green 1997, p. 36. Jump up ^ Fitzmyer 1998, p. 55-65. Jump up ^ Aune 1988, p. 80. ^ Jump up to a b Pickett 2011, p. 6-7. Jump up ^ Boring 2012, p. 562. Jump up ^ Boring 2012, p. 563. ^ Jump up to a b Thompson 2010, p. 332. Jump up ^ Boring 2012, p. 569-570. Jump up ^ Burkett 2002, p. 265. Jump up ^ Burkett 2002, p. 266. Jump up ^ Buckwalter 1996, p. 6. Jump up ^ Allen 2009, p. 326. Jump up ^ Evans 2011, p. no page numbers. Jump up ^ Burkett 2002, p. 264. Jump up ^ Burkett 2002, p. 268-270. Jump up ^ Tremmel 2011, p. 59. Jump up ^ Zwiep 2010, p. 39. Jump up ^ Parsons 1993, p. 17-18. Jump up ^ Boring 2012, p. 581, 588-590.The Acts of the Apostles (Ancient Greek Πράξεις τῶν Ἀποστόλων, Práxeis tôn Apostólōn; Latin Āctūs Apostolōrum), often referred to simply as Acts, is the fifth book of the New Testament; it tells of the founding of the Christian church and the spread of its message to the Roman empire.[1] Acts is the second half of a two-part work, referred to as Luke-Acts, by the same anonymous author, referred to as Luke the Evangelist, and usually dated to around 80-90 CE.[2][3] The first part, the Gospel of Luke, tells how God fulfilled his plan for the world s salvation through the life, death and resurrection of Jesus of Nazareth, the promised Messiah. Acts continues the story of Christianity in the 1st century, beginning with the Ascension of Christ. The early chapters, set in Jerusalem, describe the Day of Pentecost (the coming of the Holy Spirit) and the growth of the church in Jerusalem. Initially the Jews are receptive to the Christian message, but soon they turn against the followers of the Messiah. Rejected by the Jews, under the guidance of the Apostle Peter the message is taken to the Gentiles. The later chapters tell of Paul s conversion, his mission in Asia Minor and the Aegean, and finally his imprisonment in Rome, where, as the book ends, he awaits trial. Luke-Acts is an attempt to answer a theological problem, namely how the Messiah of the Jews came to have an overwhelmingly non-Jewish church; the answer it provides, and its central theme, is that the message of Christ was sent to the Gentiles because the Jews rejected it.[1] Contents [hide] 1 Composition and setting 1.1 Title, unity of Luke-Acts, authorship and date 1.2 Genre, sources and historicity of Acts 1.3 Audience and authorial intent 1.4 Manuscripts 2 Structure and content 2.1 Structure 2.2 Outline 2.3 Content 3 Theology 4 Comparison with other writings 4.1 Gospel of Luke 4.2 Pauline epistles 5 See also 6 References 7 Bibliography 8 External links Composition and setting[edit] Main article Authorship of Luke–Acts Ministry of the Apostles Russian icon by Fyodor Zubov, 1660 Title, unity of Luke-Acts, authorship and date[edit] The title "Acts of the Apostles" (Greek Πράξεις ἀποστόλων Praxeis Apostolon) was first used by Irenaeus in the late 2nd century. It is not known whether this was an existing title or one invented by Irenaeus; it does seem clear, however, that it was not given by the author.[4] The gospel of Luke and Acts make up a two-volume work which scholars call Luke-Acts.[3] Together they account for 27.5% of the New Testament, the largest contribution attributed to a single author, providing the framework for both the Church s liturgical calendar and the historical outline into which later generations have fitted their idea of the story of Jesus and the early church.[5] The author is not named in either volume.[6] According to Church tradition dating from the 2nd century, he was the "Luke" named as a companion of the apostle Paul in three of the letters attributed to Paul himself; this view is still sometimes advanced, but "a critical consensus emphasizes the countless contradictions between the account in Acts and the authentic Pauline letters."[7] (An example can be seen by comparing Acts accounts of Paul s conversion (Acts 9 1-31, 22 6-21, and 26 9-23) with Paul s own statement that he remained unknown to Christians in Judea after that event (Galatians 1 17-24).)[8] He admired Paul, but his theology was significantly different from Paul s on key points and he does not (in Acts) represent Paul s views accurately.[9] He was educated, a man of means, probably urban, and someone who respected manual work, although not a worker himself; this is significant, because more high-brow writers of the time looked down on the artisans and small business-people who made up the early church of Paul and were presumably Luke s audience.[10] The earliest possible date for the composition of Acts is set by the events with which it ends, Paul s imprisonment in Rome c.63 CE, but an early date is now rarely put forward.[11][12] The last possible date would be set by its first definite citation by another author, but there is no unanimity on this–some scholars find echoes of Acts in a work from c.95 CE called I Clement, while others see no indisputable citation until the middle of the 2nd century.[11] If Acts uses Josephus as a source, as has been proposed, then it must have been composed after 93 CE; it does not show any knowledge of Paul s letters, a fact which also supports a late date; and the social situation it reflects is one in which the faithful need "shepherds" to protect them from heretical (possibly Marcionite) "wolves", which again reflects a late date.[11] Most experts therefore date it to around 80-90 CE, although some suggest 90-110, [2] and there is evidence that it was still being substantially revised well into the 2nd century.[13] Genre, sources and historicity of Acts[edit] Luke (or more accurately the anonymous author of Luke-Acts) describes his work, Luke-Acts, as a "narrative" (diegesis). Acts, the second part, is widely thought of as a history, but it lacks exact analogies in Hellenistic or Jewish literature.[14] The title "Acts of the Apostles" (Praxeis Apostolon) would seem to identify it with the genre telling of the deeds and achievements of great men (praxeis), but it was not the title given by the author.[4] Luke seems to have taken as his model the works of two respected Classical authors, Dionysius of Halicarnassus, who wrote a well-known history of Rome, and the Jewish historian Josephus, author of a history of the Jews.[15] Like them he anchors his history by dating the birth of the founder (Romulus for Dionysius, Moses for Josephus, Jesus for Luke) and like them he tells how the founder is born from God, taught authoritatively, and appeared to witnesses after death before ascending to heaven.[15] By and large the sources for Acts can only be guessed at,[16] but Luke would have had access to the Septuagint (a Greek translation of the Jewish scriptures), the gospel of Mark and the collection of "sayings of Jesus" called the Q source.[17] He transposed a few incidents from Mark s gospel to the time of the Apostles – for example, the material about "clean" and "unclean" foods in Mark 7 is used in Acts 10, and Mark s account of the accusation that Jesus has attacked the Temple (Mark 14 58) is used in a story about Stephen (Acts 6 14).)[18] There are also points of contacts (meaning suggestive parallels but something less than clear evidence) with 1 Peter, the Letter to the Hebrews, and 1 Clement.[19] Other sources can only be inferred from internal evidence – the traditional explanation of the three "we" passages, for example, is that they represent eye-witness accounts.[20] The search for such inferred sources was popular in the 19th century, but by the mid-20th it had largely been abandoned.[21] Acts was read as a reliable history of the early church well into the post-Reformation era. By the 17th century, however, biblical scholars began to notice that it was incomplete and tendentious – its picture of a harmonious church is quite at odds with that given by Paul s letters, and it omits important events such as the deaths of both Peter and Paul. The mid-19th century scholar Ferdinand Baur suggested that Luke had re-written history to present a united Peter and Paul and advance a single orthodoxy against the Marcionites. (Marcion was a 2nd-century heretic who wished to cut Christianity off entirely from the Jews). Baur continues to have enormous influence, but today there is less interest in determining Luke s historical accuracy (although this has never died out) than in understanding his theological program.[22] Audience and authorial intent[edit] Luke was written to be read aloud to a group of Jesus-followers gathered in a house to share the Lord s supper.[15] The author assumes an educated Greek-speaking audience, but directs his attention to specifically Christian concerns rather than to the Greco-Roman world at large.[23] He begins his gospel with a preface addressed to Theophilus, informing him of his intention to provide an "ordered account" of events which will lead his reader to "certainty".[10] He did not write in order to provide Theophilus with historical justification – "did it happen?" – but to encourage faith – "what happened, and what does it all mean?"[24] Acts (or Luke-Acts) is intended as a work of "edification."[25] Edification means "the empirical demonstration that virtue is superior to vice,"[26] but is not all of Luke s purpose. He also engages with the question of a Christian s proper relationship with the Roman Empire, the civil power of the day could a Christian obey God and also Caesar? The answer is ambiguous.[27] The Romans never move against Jesus or his followers unless provoked by the Jews, in the trial scenes the Christian missionaries are always cleared of charges of violating Roman laws, and Acts ends with Paul in Rome proclaiming the Christian message under Roman protection; at the same time, Luke makes clear that the Romans, like all earthly rulers, receive their authority from Satan, while Christ is ruler of the kingdom of God. [28] Luke-Acts can be also seen as a defense of (or "apology" for) the Jesus movement addressed to the Jews the bulk of the speeches and sermons in Acts are addressed to Jewish audiences, with the Romans featuring as external arbiters on disputes concerning Jewish customs and law.[27] On the one hand Luke portrays the Christians as a sect of the Jews, and therefore entitled to legal protection as a recognised religion; on the other, Luke seems unclear as to the future God intends for Jews and Christians, celebrating the Jewishness of Jesus and his immediate followers while also stressing how the Jews had rejected God s promised Messiah.[29] Manuscripts[edit] There are two major textual variants of Luke-Acts, the Western text-type and the Alexandrian. The oldest complete Alexandrian manuscripts date from the 4th century and the oldest Western ones from the 6th, with fragments and citations going back to the 3rd. Western texts of Acts are 10% longer than Alexandrian texts, the additions tending to enhance the Jewish rejection of the Messiah and the role of the Holy Spirit, in ways that are stylistically different from the rest of Acts.[30] These conflicts suggest that Luke-Acts was still being substantially revised well into the 2nd century.[13] The majority of scholars prefer the Alexandrian (shorter) text-type over the Western as the more authentic, but this same argument would favour the Western over the Alexandrian for the gospel of Luke, as in that case the Western version is the shorter. The debate therefore continues.[30] Structure and content[edit] Acts 1 1-2a from the 14th century Minuscule 223 Structure[edit] Acts has two key structural principles. The first is the geographic movement from Jerusalem, centre of God s Covenantal people the Jews, to Rome, centre of the Gentile world. This structure reaches back to the author s preceding work, the Gospel of Luke, and is signaled by parallel scenes such as Paul s utterance in Acts 19 21, which echoes Jesus words 9 51 (Paul has Rome as his destination, as Jesus had Jerusalem). The second key element is the roles of Peter and Paul, the first representing the Jewish Christian church, the second the mission to the Gentiles.[31] Transition reprise of the preface addressed to Theophilus and the closing events of the gospel (Acts 1-1 26) Petrine Christianity the Jewish church from Jerusalem to Antioch (Acts 2 1-12 25) 2 1-8 1 - beginnings in Jerusalem 8 2-40 - the church expands to Samaria and beyond 9 1-31 - conversion of Paul 9 32-12 25 - the conversion of Cornelius, and the formation of the Antioch church Pauline Christianity the Gentile mission from Antioch to Rome (Acts 13 1-28 21) 13 1-14 28 - the Gentile mission is promoted from Antioch 15 1-35 - the Gentile mission is confirmed in Jerusalem 15 36-28 31 - the Gentile mission, climaxing in Paul s passion story in Rome (21 17-28 31) Outline[edit] Dedication to Theophilus (1 1–2) Resurrection appearances (1 3) Great Commission (1 4–8) Ascension (1 9) Second Coming Prophecy (1 10–11) Matthias replaced Judas (1 12–26) the Upper Room (1 13) Holy Spirit came at Pentecost (2), see also Paraclete Peter healed a crippled beggar (3 1–10) Peter s speech at the Temple (3 11–26) Peter and John before the Sanhedrin (4 1–22) Resurrection of the dead (4 2) Believers Prayer (4 23–31) Everything is shared (4 32–37) Ananias and Sapphira (5 1–11) Signs and Wonders (5 12–16) Apostles before the Sanhedrin (5 17–42) Seven Greeks appointed (6 1–7) Saint Stephen before the Sanhedrin (6 8–7 60) The "Cave of the Patriarchs" was located in Shechem (7 16) "Moses was educated in all the wisdom of the Egyptians" (7 22) First mentioning of Saul (Paul the Apostle) in the Bible (7 58) Paul the Apostle confesses his part in the martyrdom of Stephen (7 58-60) Saul persecuted the Church of Jerusalem (8 1–3) Philip the Evangelist (8 4–40) Simon Magus (8 9–24) Ethiopian eunuch (8 26–39) Conversion of Paul the Apostle (9 1–31, 22 1–22, 26 9–24) Paul the Apostle confesses his active part in the martyrdom of Stephen (22 20) Peter healed Aeneas and raised Tabitha from the dead (9 32–43) Conversion of Cornelius (10 1–8, 24–48) Peter s vision of a sheet with animals (10 9–23, 11 1–18) Church of Antioch founded (11 19–30) term "Christian" first used (11 26) Saint James the Great executed (12 1–2) Peter s rescue from prison (12 3–19) Death of Herod Agrippa I [in 44] (12 20–25) "the voice of a god" (12 22) Mission of Barnabas and Saul (13–14) "Saul, who was also known as Paul" (13 9) called "gods ... in human form" (14 11) Council of Jerusalem (15 1–35) Paul separated from Barnabas (15 36–41) 2nd and 3rd missions (16–20) Areopagus sermon (17 16-34) "God...has set a day" (17 30–31) Trial before Gallio c. 51–52 (18 12–17) Trip to Jerusalem (21) Before the people and the Sanhedrin (22–23) Before Felix–Festus–Agrippa II (24–26) Trip to Rome (27–28) called a god on Malta (28 6) Content[edit] See also Early Christianity and Jewish Christians The Gospel of Luke began with a prologue addressed to Theophilus; Acts likewise opens with an address to Theophilus and refers to "my earlier book", almost certainly the gospel. The apostles and other followers of Jesus meet and elect Matthias to replace Judas as a member of The Twelve. On Pentecost, the Holy Spirit descends and confers God s power on them, and Peter, along with John, preaches to many in Jerusalem, and performs Christ-like healings, casting out of evil spirits, and raising of the dead. At first many Jews follow Christ and are baptized, but the Christians begin to be increasingly persecuted by the Jews. Stephen is arrested for blasphemy, and after a trial, is found guilty and stoned by the Jews. Stephen s death marks a major turning point the Jews have rejected the message, and henceforth it will be taken to the Gentiles.[32] The message is taken to the Samaritans, a people rejected by Jews, and to the Gentiles. Saul of Tarsus, one of the Jews who persecuted the Christians, is converted by a vision to become a follower of Christ (an event which Luke regards as so important that he relates it three times). Peter, directed by a series of visions, preaches to Cornelius the Centurion, a Gentile God-fearer, who becomes a follower of Christ. The Holy Spirit descends on Peter and Cornelius, thus confirming that the message of eternal life in Christ is for all mankind. The Gentile church is established in Antioch (north-western Syria, the third-largest city of the empire), and here Christ s followers are first called Christians.[33] The mission to the Gentiles is promoted from Antioch and confirmed at meeting in Jerusalem between Paul and the leadership of the Jerusalem church. Paul spends the next few years traveling through western Asia Minor and the Aegean,preaching, converting Gentiles, and founding new churches. On a visit to Jerusalem he is set on by a Jewish mob. Saved by the Roman commander, he is accused by the Jews of being a revolutionary, the "ringleader of the sect of the Nazarenes", and imprisoned. Paul asserts his right as a Roman citizen, to be tried in Rome and is sent by sea to Rome, where he spends another two years under house arrest, proclaiming the Kingdom of God and teaching the "Lord Jesus Christ". Acts ends abruptly without recording the outcome of Paul s legal troubles.[citation needed] Theology[edit] Paul s conversion, from Livre d Heures d Étienne Chevalier (c. 1450–1460), Jean Fouquet, in the Château de Chantilly. Prior to the 1950s Luke-Acts was seen as a historical work, written to defend Christianity before the Romans or Paul against his detractors; since then, however, the tendency has been to see the work as primarily theological.[34] Luke s theology is expressed primarily through his overarching plot, the way scenes, themes and characters combine to construct his specific worldview.[35] His "salvation history" stretches from the Creation to the present time of his readers, in three ages first, the time of "the Law and the Prophets" (Luke 16 16), the period beginning with Genesis and ending with the appearance of John the Baptist (Luke 1 5-3 1); second, the epoch of Jesus, in which the Kingdom of God was preached (Luke 3 2-24 51); and finally the period of the Church, which began when the risen Christ was taken into Heaven, and would end with his second coming.[36] Luke-Acts is an attempt to answer a theological problem, namely how the Messiah promised to the Jews came to have an overwhelmingly non-Jewish church; the answer it provides, and its central theme, is that the message of Christ was sent to the Gentiles because the Jews rejected it.[1] This theme is introduced at the opening of the gospel of Luke, when Jesus, rejected in Nazareth, recalls that the prophets were rejected by Israel and accepted by Gentiles; at the end of the gospel he commands his disciples to preach his message to all nations, "beginning from Jerusalem." He repeats the command in Acts, telling them to preach "in Jerusalem, in all Judea and Samaria, and to the end of the Earth." They then proceed to do so, in the order outlined first Jerusalem, then Judea, then Samaria, then the entire (Roman) world.[37] For Luke, the Holy Spirit is the driving force behind the spread of the Christian message, and he places more emphasis on it than do any of the other evangelists. The Spirit is "poured out" at Pentecost, on the first Samaritan and Gentile believers, and on disciples who had been baptised only by John the Baptist, each time as a sign of God s approval. The Holy Spirit represents God s power (At his ascension, Jesus tells his followers, "You shall receive power when the Holy Spirit has come upon you") through it the disciples are given speech to convert thousands in Jerusalem, forming the first church (the term is used for the first time in Acts 5).[38] Comparison with other writings[edit] Saint Paul Writing His Epistles, ascribed to Valentin de Boulogne, 17th century Gospel of Luke[edit] As the second part of the two-part work Luke-Acts, Acts has significant links to the gospel of Luke. Major turning points in the structure of Acts, for example, find parallels in Luke the presentation of the child Jesus in the Temple parallels the opening of Acts in the Temple, Jesus forty days of testing in the wilderness prior to his mission parallel the forty days prior to his Ascension in Acts, the mission of Jesus in Samaria and the Decapolis (the lands of the Samaritans and Gentiles) parallels the missions of the Apostles in Samaria and the Gentile lands, and so on (see Gospel of Luke). These parallels continue through both books.[39] There are also differences between Luke and Acts, amounting at times to outright contradiction. For example, the gospel seems to place the Ascension on Easter Sunday, immediately after the Resurrection, while Acts 1 puts it forty days later.[40] There are similar conflicts over the theology. While not seriously questioning the single authorship of Luke-Acts, these differences do suggest the need for caution in seeking too much consistency in books written in essence as popular literature.[41] Pauline epistles[edit] Acts agrees with Paul s letters on the major outline of Paul s career as Saul he is converted and becomes Paul the Christian missionary and apostle, establishing new churches in Asia Minor and the Aegean and struggling to free Gentile Christians from the Jewish Law. There are also agreements on many incidents, such as Paul s escape from Damascus, where he is lowered down the walls in a basket. But details of these same incidents are frequently contradictory for example, according to Paul it was a pagan king who was trying to arrest him in Damascus, but according to Luke it was, characteristically, the Jews (2 Corinthians 11 33 and Acts 9 24). Many of the disagreements are not so immediately obvious Acts speaks of "Christians" and "disciples", but Paul never uses either term, and there are striking differences in the accounts of Paul s relationship with the Jerusalem church and its leaders (Acts 9-15 vs. Galatians 1-2). Acts omits much from the letters, notably Paul s problems with his congregations (internal difficulties are said to be the fault of the Jews instead), and his apparent final rejection by the church leaders in Jerusalem (Acts has Paul and Barnabas deliver an offering that is accepted, a trip that has no mention in the letters). There are also major differences between Acts on Paul on Christology (the understanding of Christ s nature), eschatology (understanding of the "last things"), and apostleship.[42] See also[edit] Historical reliability of the Acts of the Apostles List of Gospels List of omitted Bible verses Textual variants in the Acts of the Apostles Acts of the Apostles (genre) Acts of Andrew Acts of Barnabas Acts of John Acts of the Martyrs Acts of Paul Acts of Paul and Thecla Acts of Peter Acts of Peter and Paul Acts of Peter and the Twelve Acts of Pilate Acts of Philip Acts of Thomas Acts of Timothy The Lost Chapter of the Acts of the Apostles References[edit] ^ Jump up to a b c Burkett 2002, p. 263. ^ Jump up to a b Charlesworth 2008, p. no page number. ^ Jump up to a b Burkett 2002, p. 195. ^ Jump up to a b Matthews 2011, p. 12. Jump up ^ Boring 2012, p. 556. Jump up ^ Burkett 2002, p. 196. Jump up ^ Theissen Merz 1998, p. 32. Jump up ^ Perkins 1998, p. 253. Jump up ^ Boring 2012, p. 590. ^ Jump up to a b Green 1997, p. 35. ^ Jump up to a b c Boring 2012, p. 587. Jump up ^ Theissen Merz 1996 [tr. 1998], p. 32. ^ Jump up to a b Perkins 2009, p. 250-253. Jump up ^ Aune 1988, p. 77. ^ Jump up to a b c Balch 2003, p. 1104. Jump up ^ Bruce 1990, p. 40. Jump up ^ Boring 2012, p. 577. Jump up ^ Witherington 1998, p. 8. Jump up ^ Boring 2012, p. 578. Jump up ^ Bruce 1990, p. 40-41. Jump up ^ Boring 2012, p. 579. Jump up ^ Holladay 2011, p. no page numbers. Jump up ^ Green 1995, p. 16-17. Jump up ^ Green 1997, p. 36. Jump up ^ Fitzmyer 1998, p. 55-65. Jump up ^ Aune 1988, p. 80. ^ Jump up to a b Pickett 2011, p. 6-7. Jump up ^ Boring 2012, p. 562. Jump up ^ Boring 2012, p. 563. ^ Jump up to a b Thompson 2010, p. 332. Jump up ^ Boring 2012, p. 569-570. Jump up ^ Burkett 2002, p. 265. Jump up ^ Burkett 2002, p. 266. Jump up ^ Buckwalter 1996, p. 6. Jump up ^ Allen 2009, p. 326. Jump up ^ Evans 2011, p. no page numbers. Jump up ^ Burkett 2002, p. 264. Jump up ^ Burkett 2002, p. 268-270. Jump up ^ Tremmel 2011, p. 59. Jump up ^ Zwiep 2010, p. 39. Jump up ^ Parsons 1993, p. 17-18. Jump up ^ Boring 2012, p. 581, 588-590.
https://w.atwiki.jp/pyopyo0124/pages/33.html
CHAPTER XVIII UP CHAPTER XX CHAPTER XIX A Concert a Catastrophe and a Confession "MARILLA, can I go over to see Diana just for a minute?" asked Anne, running breathlessly down from the east gable one February evening. "I don t see what you want to be traipsing about after dark for," said Marilla shortly. "You and Diana walked home from school together and then stood down there in the snow for half an hour more, your tongues going the whole blessed time, clickety-clack. So I don t think you re very badly off to see her again." "But she wants to see me," pleaded Anne. "She has something very important to tell me." "How do you know she has?" "Because she just signaled to me from her window. We have arranged a way to signal with our candles and cardboard. We set the candle on the window sill and make flashes by passing the cardboard back and forth. So many flashes mean a certain thing. It was my idea, Marilla." "I ll warrant you it was," said Marilla emphatically. "And the next thing you ll be setting fire to the curtains with your signaling nonsense." "Oh, we re very careful, Marilla. And it s so interesting. Two flashes mean, `Are you there? Three mean `yes and four `no. Five mean, `Come over as soon as possible, because I have something important to reveal. Diana has just signaled five flashes, and I m really suffering to know what it is." "Well, you needn t suffer any longer," said Marilla sarcastically. "You can go, but you re to be back here in just ten minutes, remember that." Anne did remember it and was back in the stipulated time, although probably no mortal will ever know just what it cost her to confine the discussion of Diana s important communication within the limits of ten minutes. But at least she had made good use of them. "Oh, Marilla, what do you think? You know tomorrow is Diana s birthday. Well, her mother told her she could ask me to go home with her from school and stay all night with her. And her cousins are coming over from Newbridge in a big pung sleigh to go to the Debating Club concert at the hall tomorrow night. And they are going to take Diana and me to the concert--if you ll let me go, that is. You will, won t you, Marilla? Oh, I feel so excited." "You can calm down then, because you re not going. You re better at home in your own bed, and as for that club concert, it s all nonsense, and little girls should not be allowed to go out to such places at all." "I m sure the Debating Club is a most respectable affair," pleaded Anne. "I m not saying it isn t. But you re not going to begin gadding about to concerts and staying out all hours of the night. Pretty doings for children. I m surprised at Mrs. Barry s letting Diana go." "But it s such a very special occasion," mourned Anne, on the verge of tears. "Diana has only one birthday in a year. It isn t as if birthdays were common things, Marilla. Prissy Andrews is going to recite `Curfew Must Not Ring Tonight. That is such a good moral piece, Marilla, I m sure it would do me lots of good to hear it. And the choir are going to sing four lovely pathetic songs that are pretty near as good as hymns. And oh, Marilla, the minister is going to take part; yes, indeed, he is; he s going to give an address. That will be just about the same thing as a sermon. Please, mayn t I go, Marilla?" "You heard what I said, Anne, didn t you? Take off your boots now and go to bed. It s past eight." "There s just one more thing, Marilla," said Anne, with the air of producing the last shot in her locker. "Mrs. Barry told Diana that we might sleep in the spare-room bed. Think of the honor of your little Anne being put in the spare-room bed." "It s an honor you ll have to get along without. Go to bed, Anne, and don t let me hear another word out of you." When Anne, with tears rolling over her cheeks, had gone sorrowfully upstairs, Matthew, who had been apparently sound asleep on the lounge during the whole dialogue, opened his eyes and said decidedly "Well now, Marilla, I think you ought to let Anne go." "I don t then," retorted Marilla. "Who s bringing this child up, Matthew, you or me?" "Well now, you," admitted Matthew. "Don t interfere then." "Well now, I ain t interfering. It ain t interfering to have your own opinion. And my opinion is that you ought to let Anne go." "You d think I ought to let Anne go to the moon if she took the notion, I ve no doubt" was Marilla s amiable rejoinder. "I might have let her spend the night with Diana, if that was all. But I don t approve of this concert plan. She d go there and catch cold like as not, and have her head filled up with nonsense and excitement. It would unsettle her for a week. I understand that child s disposition and what s good for it better than you, Matthew." "I think you ought to let Anne go," repeated Matthew firmly. Argument was not his strong point, but holding fast to his opinion certainly was. Marilla gave a gasp of helplessness and took refuge in silence. The next morning, when Anne was washing the breakfast dishes in the pantry, Matthew paused on his way out to the barn to say to Marilla again "I think you ought to let Anne go, Marilla." For a moment Marilla looked things not lawful to be uttered. Then she yielded to the inevitable and said tartly "Very well, she can go, since nothing else ll please you." Anne flew out of the pantry, dripping dishcloth in hand. "Oh, Marilla, Marilla, say those blessed words again." "I guess once is enough to say them. This is Matthew s doings and I wash my hands of it. If you catch pneumonia sleeping in a strange bed or coming out of that hot hall in the middle of the night, don t blame me, blame Matthew. Anne Shirley, you re dripping greasy water all over the floor. I never saw such a careless child." "Oh, I know I m a great trial to you, Marilla," said Anne repentantly. "I make so many mistakes. But then just think of all the mistakes I don t make, although I might. I ll get some sand and scrub up the spots before I go to school. Oh, Marilla, my heart was just set on going to that concert. I never was to a concert in my life, and when the other girls talk about them in school I feel so out of it. You didn t know just how I felt about it, but you see Matthew did. Matthew understands me, and it s so nice to be understood, Marilla." Anne was too excited to do herself justice as to lessons that morning in school. Gilbert Blythe spelled her down in class and left her clear out of sight in mental arithmetic. Anne s consequent humiliation was less than it might have been, however, in view of the concert and the spare-room bed. She and Diana talked so constantly about it all day that with a stricter teacher than Mr. Phillips dire disgrace must inevitably have been their portion. Anne felt that she could not have borne it if she had not been going to the concert, for nothing else was discussed that day in school. The Avonlea Debating Club, which met fortnightly all winter, had had several smaller free entertainments; but this was to be a big affair, admission ten cents, in aid of the library. The Avonlea young people had been practicing for weeks, and all the scholars were especially interested in it by reason of older brothers and sisters who were going to take part. Everybody in school over nine years of age expected to go, except Carrie Sloane, whose father shared Marilla s opinions about small girls going out to night concerts. Carrie Sloane cried into her grammar all the afternoon and felt that life was not worth living. For Anne the real excitement began with the dismissal of school and increased therefrom in crescendo until it reached to a crash of positive ecstasy in the concert itself. They had a "perfectly elegant tea;" and then came the delicious occupation of dressing in Diana s little room upstairs. Diana did Anne s front hair in the new pompadour style and Anne tied Diana s bows with the especial knack she possessed; and they experimented with at least half a dozen different ways of arranging their back hair. At last they were ready, cheeks scarlet and eyes glowing with excitement. True, Anne could not help a little pang when she contrasted her plain black tam and shapeless, tight-sleeved, homemade gray-cloth coat with Diana s jaunty fur cap and smart little jacket. But she remembered in time that she had an imagination and could use it. Then Diana s cousins, the Murrays from Newbridge, came; they all crowded into the big pung sleigh, among straw and furry robes. Anne reveled in the drive to the hall, slipping along over the satin-smooth roads with the snow crisping under the runners. There was a magnificent sunset, and the snowy hills and deep-blue water of the St. Lawrence Gulf seemed to rim in the splendor like a huge bowl of pearl and sapphire brimmed with wine and fire. Tinkles of sleigh bells and distant laughter, that seemed like the mirth of wood elves, came from every quarter. "Oh, Diana," breathed Anne, squeezing Diana s mittened hand under the fur robe, "isn t it all like a beautiful dream? Do I really look the same as usual? I feel so different that it seems to me it must show in my looks." "You look awfully nice," said Diana, who having just received a compliment from one of her cousins, felt that she ought to pass it on. "You ve got the loveliest color." The program that night was a series of "thrills" for at least one listener in the audience, and, as Anne assured Diana, every succeeding thrill was thrillier than the last. When Prissy Andrews, attired in a new pink-silk waist with a string of pearls about her smooth white throat and real carnations in her hair--rumor whispered that the master had sent all the way to town for them for her--"climbed the slimy ladder, dark without one ray of light," Anne shivered in luxurious sympathy; when the choir sang "Far Above the Gentle Daisies" Anne gazed at the ceiling as if it were frescoed with angels; when Sam Sloane proceeded to explain and illustrate "How Sockery Set a Hen" Anne laughed until people sitting near her laughed too, more out of sympathy with her than with amusement at a selection that was rather threadbare even in Avonlea; and when Mr. Phillips gave Mark Antony s oration over the dead body of Caesar in the most heartstirring tones--looking at Prissy Andrews at the end of every sentence--Anne felt that she could rise and mutiny on the spot if but one Roman citizen led the way. Only one number on the program failed to interest her. When Gilbert Blythe recited "Bingen on the Rhine" Anne picked up Rhoda Murray s library book and read it until he had finished, when she sat rigidly stiff and motionless while Diana clapped her hands until they tingled. It was eleven when they got home, sated with dissipation, but with the exceeding sweet pleasure of talking it all over still to come. Everybody seemed asleep and the house was dark and silent. Anne and Diana tiptoed into the parlor, a long narrow room out of which the spare room opened. It was pleasantly warm and dimly lighted by the embers of a fire in the grate. "Let s undress here," said Diana. "It s so nice and warm." "Hasn t it been a delightful time?" sighed Anne rapturously. "It must be splendid to get up and recite there. Do you suppose we will ever be asked to do it, Diana?" "Yes, of course, someday. They re always wanting the big scholars to recite. Gilbert Blythe does often and he s only two years older than us. Oh, Anne, how could you pretend not to listen to him? When he came to the line, "THERE S ANOTHER, not A SISTER, he looked right down at you." "Diana," said Anne with dignity, "you are my bosom friend, but I cannot allow even you to speak to me of that person. Are you ready for bed? Let s run a race and see who ll get to the bed first." The suggestion appealed to Diana. The two little white-clad figures flew down the long room, through the spare-room door, and bounded on the bed at the same moment. And then--something--moved beneath them, there was a gasp and a cry--and somebody said in muffled accents "Merciful goodness!" Anne and Diana were never able to tell just how they got off that bed and out of the room. They only knew that after one frantic rush they found themselves tiptoeing shiveringly upstairs. "Oh, who was it--WHAT was it?" whispered Anne, her teeth chattering with cold and fright. "It was Aunt Josephine," said Diana, gasping with laughter. "Oh, Anne, it was Aunt Josephine, however she came to be there. Oh, and I know she will be furious. It s dreadful--it s really dreadful--but did you ever know anything so funny, Anne?" "Who is your Aunt Josephine?" "She s father s aunt and she lives in Charlottetown. She s awfully old--seventy anyhow--and I don t believe she was EVER a little girl. We were expecting her out for a visit, but not so soon. She s awfully prim and proper and she ll scold dreadfully about this, I know. Well, we ll have to sleep with Minnie May--and you can t think how she kicks." Miss Josephine Barry did not appear at the early breakfast the next morning. Mrs. Barry smiled kindly at the two little girls. "Did you have a good time last night? I tried to stay awake until you came home, for I wanted to tell you Aunt Josephine had come and that you would have to go upstairs after all, but I was so tired I fell asleep. I hope you didn t disturb your aunt, Diana." Diana preserved a discreet silence, but she and Anne exchanged furtive smiles of guilty amusement across the table. Anne hurried home after breakfast and so remained in blissful ignorance of the disturbance which presently resulted in the Barry household until the late afternoon, when she went down to Mrs. Lynde s on an errand for Marilla. "So you and Diana nearly frightened poor old Miss Barry to death last night?" said Mrs. Lynde severely, but with a twinkle in her eye. "Mrs. Barry was here a few minutes ago on her way to Carmody. She s feeling real worried over it. Old Miss Barry was in a terrible temper when she got up this morning--and Josephine Barry s temper is no joke, I can tell you that. She wouldn t speak to Diana at all." "It wasn t Diana s fault," said Anne contritely. "It was mine. I suggested racing to see who would get into bed first." "I knew it!" said Mrs. Lynde, with the exultation of a correct guesser. "I knew that idea came out of your head. Well, it s made a nice lot of trouble, that s what. Old Miss Barry came out to stay for a month, but she declares she won t stay another day and is going right back to town tomorrow, Sunday and all as it is. She d have gone today if they could have taken her. She had promised to pay for a quarter s music lessons for Diana, but now she is determined to do nothing at all for such a tomboy. Oh, I guess they had a lively time of it there this morning. The Barrys must feel cut up. Old Miss Barry is rich and they d like to keep on the good side of her. Of course, Mrs. Barry didn t say just that to me, but I m a pretty good judge of human nature, that s what." "I m such an unlucky girl," mourned Anne. "I m always getting into scrapes myself and getting my best friends--people I d shed my heart s blood for--into them too. Can you tell me why it is so, Mrs. Lynde?" "It s because you re too heedless and impulsive, child, that s what. You never stop to think--whatever comes into your head to say or do you say or do it without a moment s reflection." "Oh, but that s the best of it," protested Anne. "Something just flashes into your mind, so exciting, and you must out with it. If you stop to think it over you spoil it all. Haven t you never felt that yourself, Mrs. Lynde?" No, Mrs. Lynde had not. She shook her head sagely. "You must learn to think a little, Anne, that s what. The proverb you need to go by is `Look before you leap --especially into spare-room beds." Mrs. Lynde laughed comfortably over her mild joke, but Anne remained pensive. She saw nothing to laugh at in the situation, which to her eyes appeared very serious. When she left Mrs. Lynde s she took her way across the crusted fields to Orchard Slope. Diana met her at the kitchen door. "Your Aunt Josephine was very cross about it, wasn t she?" whispered Anne. "Yes," answered Diana, stifling a giggle with an apprehensive glance over her shoulder at the closed sitting-room door. "She was fairly dancing with rage, Anne. Oh, how she scolded. She said I was the worst-behaved girl she ever saw and that my parents ought to be ashamed of the way they had brought me up. She says she won t stay and I m sure I don t care. But Father and Mother do." "Why didn t you tell them it was my fault?" demanded Anne. "It s likely I d do such a thing, isn t it?" said Diana with just scorn. "I m no telltale, Anne Shirley, and anyhow I was just as much to blame as you." "Well, I m going in to tell her myself," said Anne resolutely. Diana stared. "Anne Shirley, you d never! why--she ll eat you alive!" "Don t frighten me any more than I am frightened," implored Anne. "I d rather walk up to a cannon s mouth. But I ve got to do it, Diana. It was my fault and I ve got to confess. I ve had practice in confessing, fortunately." "Well, she s in the room," said Diana. "You can go in if you want to. I wouldn t dare. And I don t believe you ll do a bit of good." With this encouragement Anne bearded the lion in its den--that is to say, walked resolutely up to the sitting-room door and knocked faintly. A sharp "Come in" followed. Miss Josephine Barry, thin, prim, and rigid, was knitting fiercely by the fire, her wrath quite unappeased and her eyes snapping through her gold-rimmed glasses. She wheeled around in her chair, expecting to see Diana, and beheld a white-faced girl whose great eyes were brimmed up with a mixture of desperate courage and shrinking terror. "Who are you?" demanded Miss Josephine Barry, without ceremony. "I m Anne of Green Gables," said the small visitor tremulously, clasping her hands with her characteristic gesture, "and I ve come to confess, if you please." "Confess what?" "That it was all my fault about jumping into bed on you last night. I suggested it. Diana would never have thought of such a thing, I am sure. Diana is a very ladylike girl, Miss Barry. So you must see how unjust it is to blame her." "Oh, I must, hey? I rather think Diana did her share of the jumping at least. Such carryings on in a respectable house!" "But we were only in fun," persisted Anne. "I think you ought to forgive us, Miss Barry, now that we ve apologized. And anyhow, please forgive Diana and let her have her music lessons. Diana s heart is set on her music lessons, Miss Barry, and I know too well what it is to set your heart on a thing and not get it. If you must be cross with anyone, be cross with me. I ve been so used in my early days to having people cross at me that I can endure it much better than Diana can." Much of the snap had gone out of the old lady s eyes by this time and was replaced by a twinkle of amused interest. But she still said severely "I don t think it is any excuse for you that you were only in fun. Little girls never indulged in that kind of fun when I was young. You don t know what it is to be awakened out of a sound sleep, after a long and arduous journey, by two great girls coming bounce down on you." "I don t KNOW, but I can IMAGINE," said Anne eagerly. "I m sure it must have been very disturbing. But then, there is our side of it too. Have you any imagination, Miss Barry? If you have, just put yourself in our place. We didn t know there was anybody in that bed and you nearly scared us to death. It was simply awful the way we felt. And then we couldn t sleep in the spare room after being promised. I suppose you are used to sleeping in spare rooms. But just imagine what you would feel like if you were a little orphan girl who had never had such an honor." All the snap had gone by this time. Miss Barry actually laughed--a sound which caused Diana, waiting in speechless anxiety in the kitchen outside, to give a great gasp of relief. "I m afraid my imagination is a little rusty--it s so long since I used it," she said. "I dare say your claim to sympathy is just as strong as mine. It all depends on the way we look at it. Sit down here and tell me about yourself." "I am very sorry I can t," said Anne firmly. "I would like to, because you seem like an interesting lady, and you might even be a kindred spirit although you don t look very much like it. But it is my duty to go home to Miss Marilla Cuthbert. Miss Marilla Cuthbert is a very kind lady who has taken me to bring up properly. She is doing her best, but it is very discouraging work. You must not blame her because I jumped on the bed. But before I go I do wish you would tell me if you will forgive Diana and stay just as long as you meant to in Avonlea." "I think perhaps I will if you will come over and talk to me occasionally," said Miss Barry. That evening Miss Barry gave Diana a silver bangle bracelet and told the senior members of the household that she had unpacked her valise. "I ve made up my mind to stay simply for the sake of getting better acquainted with that Anne-girl," she said frankly. "She amuses me, and at my time of life an amusing person is a rarity." Marilla s only comment when she heard the story was, "I told you so." This was for Matthew s benefit. Miss Barry stayed her month out and over. She was a more agreeable guest than usual, for Anne kept her in good humor. They became firm friends. When Miss Barry went away she said "Remember, you Anne-girl, when you come to town you re to visit me and I ll put you in my very sparest spare-room bed to sleep." "Miss Barry was a kindred spirit, after all," Anne confided to Marilla. "You wouldn t think so to look at her, but she is. You don t find it right out at first, as in Matthew s case, but after a while you come to see it. Kindred spirits are not so scarce as I used to think. It s splendid to find out there are so many of them in the world." CHAPTER XVIII UP CHAPTER XX 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 22 55 (Tue)
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2005年12月放送開始。 監督 橘正紀 原作 SNK PLAYMORE 脚本 浅沼文生 脚本監修 嬉野秋彦 オリジナルキャラクターデザイン FALCOON アニメーションキャラクターデザイン・作画監督 下村一 協力 黄瀬和哉 美術監督 竹田悠介 美術設定 田村せいき デジタル美術 小椎尾佳代 色彩設計 片山由美子 撮影監督 田中宏侍 3D監督 遠藤誠 特殊効果 村上正博 編集 濱宇津妙子 音響監督 若林和弘 効果 倉橋静男 音楽 嘉生大樹、清水泰明、白石元哉 アニメーション制作 Production I.G 脚本 浅沼文生 絵コンテ 橘正紀 演出 橘正紀 作画監督 下村一 黄瀬和哉 ■関連タイトル DVD収録 KOF MAXIMUM IMPACT2 初回生産版
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End of the century Misery, can it be chaos who s the boss Suffer a great loss Man woman child No longer exist Only the good ones will be missed Life love cherish it all Who will be left to conquer The end is coming Don t start running There s nowhere to run Don t grab a gun All over the land here this roar No one knows what s in store Look for the star, he s on his way No one knows what s in store Love your self and all around In a blink of an eyes You won t hear a sound Your heart is pounding at raided speed Man will always feel the need for greed Let s go for it Now you can t miss Al-Though-This-Was-The-Be-Gining Beware because the end is here The sky is falling Eyes are balling You had your chance To make your stance Love is a must life don t lust No time to fuss People start to cuss cry out who s going to care Have no doubt have no fear Believe in me I ll show you the way Some people think the year 2G is so scaring, lets wait and see The world will shot down most won t admit People go crazy people catch fits Fire breaks out One way to stop Play hiphop non stop stop Remember these words And what I said You jusy might wake up brain dead The feeling is Amazing (Ohh boy!) I want you (Come on and Get me!) Some just say the world changing Many people will agree Many changes we are seeing I just say... It s the end... It s the end It s the end of the century
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【検索用 TonightintheRain 登録タグ 2015年 Bibi Chiquewa Keishi T T.Ito VOCALOID sahara 巡音ルカ 曲 曲英 環ネコP】 + 目次 目次 曲紹介 歌詞 コメント 作詞：環ネコP 作曲：sahara 編曲：環ネコP Guitar：Chiquewa Mix＆Mast：T.Ito Movie：Bibi Illust：Keishi 唄：巡音ルカ 曲紹介 "Hold me tonight in the rain..." 曲名：『Tonight in the Rain』 作者曰く、この曲でしっとりと梅雨の季節を彩ろうと思ったとのこと。 歌詞 （piaproより転載） I just want you to Hold me tonight in the rain Baby you mean so much to me If only you were here I'm almost shedding a tear Every day, can't run away from Thinking about you All the little things you do to me Take me even higher You're my one desire Waiting for you, I believe truly We're perfect together We are strongly tethered One of a kind, you are mine, yes you're mine Am I too blind or insecure? All that I find is that I can't rewind Each moment, each second, each minute, each hour of the day Spent without you I just cannot bear Don't you go anywhere I just want you to Hold me tonight in the rain Baby you mean so much to me If only you were here I'm almost shedding a tear Every day, can't run away from Thinking about you Ease off my plight and my pain Baby I crave your touch, you see Wish you were by my side Counting the tears that I've cried Every night the stars are bright I'm dreaming about you Are you asleep or are you awake? Pick up the phone baby You're just driving me crazy Are your I-love-you's true or just fake? Come give me an answer The air is getting denser One of a kind, you were mine, you were mine Am I too blind or insecure? All that I find is that I can't rewind Each moment, each second, each minute, each hour of the day Spent without you I just cannot deal Hoping this isn't real I just want you to Hold me tonight in the rain Baby you mean so much to me If only you were here I'm almost shedding a tear Every day, can't run away from Thinking about you Ease off my plight and my pain Baby I crave your touch, you see Wish you were by my side Counting the tears that I've cried Every night the stars are bright I'm dreaming about you I don't want you to make me feel this way Don't ever go away コメント 名前 コメント コメントを書き込む際の注意 コメント欄は匿名で使用できる性質上、荒れやすいので、 以下の条件に該当するようなコメントは削除されることがあります。 コメントする際は、絶対に目を通してください。 暴力的、または卑猥な表現・差別用語（Wiki利用者に著しく不快感を与えるような表現） 特定の個人・団体の宣伝または批判 （曲紹介ページにおいて）歌詞の独自解釈を展開するコメント、いわゆる“解釈コメ” 長すぎるコメント 『歌ってみた』系動画や、歌い手に関する話題 「カラオケで歌えた」「学校で流れた」などの曲に直接関係しない、本来日記に書くようなコメント カラオケ化、カラオケ配信等の話題 同一人物によると判断される連続・大量コメント Wikiの保守管理は有志によって行われています。 Wikiを気持ちよく利用するためにも、上記の注意事項は守って頂くようにお願いします。
https://w.atwiki.jp/gamemusicbest100/pages/3054.html
X-MEN VS. STREET FIGHTER 機種：AC, SS, PS 作曲者：岩井由紀, 竹原裕子 開発元：カプコン 発売元：カプコン 発売年：1996年 概要 『X-MEN』と『ストリートファイターZERO』のキャラクターが共演する格闘ゲームで、ぶっ壊れた対戦が人気。 『MARVEL SUPER HEROES』の続編で、後に『MARVEL SUPER HEROES VS. STREET FIGHTER』が発売。 プレステ版は『X-MEN VS. STREET FIGHTER EX EDITION』というタイトルだが、ハードの都合上要素が減らされている。 音楽は機種による違いは無し、作曲者の岩井由紀はカプコンの社員でゆうゆは無関係。 収録曲 曲名 作・編曲者 補足 順位 OPENING TITLE WOLVERINE STAGE CYCLOPS STAGE STORM STAGE ROGUE STAGE 格闘ゲーム219位 GAMBIT STAGE SABRETOOTH STAGE JUGGERNAUT STAGE MAGNETO STAGE PLAYER SELECT VS WIN RYU STAGE KEN STAGE CHUN-LI STAGE DHALSIM STAGE ZANGIEF STAGE VEGA STAGE GOUKI STAGE NASH STAGE CAMMY STAGE INTRODUCTION APOCALYPSE STAGE CONTINUE GAME OVER BREAK OUT Ending～SILENCE～ Ending～SPIRITS～ Ending～MOONLIGHT～ Ending～FIGHT!!～ Ending～TEMPTATION OF EVIL～ Ending～FRIENDS～ Ending～MEDITATION～ Ending～PEACE～ Ending～LOVING YOU～ Ending～A SCOLDING～ Ending～AMBITION～ Ending～TRUE LOVE～ Ending～WONDERING～ STAFF ROLL サウンドトラック X-MEN VS STREET FIGHTER
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Let s Sing Queen 項目数：10 総ポイント：1000 難易度：★☆☆☆☆ 日本のカラオケの採点ほど厳しくなく大分アバウトなので、よほど音程を外さなければある程度は取れるが、コンプを狙う場合は少なくともソングリストの6割程度の曲を覚える必要はある。英語はわりと適当でもOK。 ほとんどの曲はAmazon Prime MusicやSpotifyなどの音楽サブスクサービスやYoutubeにあるので、プレイリストを作って普段から聞くようにするとプレイ時間を効率化できる。 実績の項目、内容は Let s Sing 2021や2021と全く同じ。当たり前だが、アーティストはQueenのみなので、Queenがもとから好きであれば楽勝だが、好きじゃなければ苦行。 最初の夜 ブロンズレコードを1個獲得した 25 多ジャンル 15曲歌った 25 ファミリーの成長 3つのアバターを獲得した 50 最初の日々 ゴールドレコードを5個獲得した 50 ネットの有名人 WORLD CONTESTのマッチで5勝した 100 最初の栄光 ダイアモンドレコードを10個獲得した 100 巨匠 CLASSICモードを50%完了した 150 収集家 MIXTAPEモードを50%完了した 150 燃えるデュオ FEAT.モードを50%完了した 150 スーパースター レベル25に到達した 200 〜を50%完了した系 星の数が進捗になるので、ダイアモンドやプラチナを取れなくてもリストの曲の多くをゴールドで埋めていけば取れる。 最初の栄光 CLASSICモードよりもFEAT.モードのほうが取りやすい。曲の最後をフレディが歌ってくれる曲は最後にスコアが上がる。
https://w.atwiki.jp/niconicomugen/pages/7802.html
MUGEN極道界の頂点獲ッたらぁ！ あらすじ 抗争で敗れたベガはサイコドライブを起動、復活した。 しかし溢れ出したサイコパワーの奔流は時を加速させ、世界を一巡させてしまう。 これまでの抗争で散った侠たちも再び黄泉返る。 ここに第三次MUGEN抗争が始まろうとしていた。 解説 MUGEN極道界の抗争を描いた大会が帰ってきた。 今回は既存のメンバーを中心に組を再び一から組みなおして行われる。 なお今回は旗揚げ編は省略されているがメンバー決めの為に予め動画外で行われている。 前シリーズとは基本ルールは変わらないが新しい要素も追加されている。 ルール 組織対抗戦。ランセレでカチコミを行いシノギを削る。 構成員が2名以下になった組織は解散。 最後まで残った組織の組長が優勝。 ステータスについて 組織内はSP（シノギポイント）にて順位付けされる。勝てば＋2SP、負ければ－1SP。 10SPごとにLife100、Attack10のボーナスあり。 －10SPで粛清対象。 SPに応じ組織内の肩書きが与えられる。 予選の戦績がすでに反映され各組織構成員の現状SPが予め決定されている。 肩書き SPなど組織内の立ち位置に応じ肩書きが与えられる。1番SPが多い→ 組長 （構成員数×2SPのSPボーナス） 2番目にSPが多い→ 若頭 （構成員数×1SPのSPボーナス） 構成員で一番SPが低い→ 鉄砲玉（NEW！！） （Life－200、Attack＋20） 他組織から移籍→ 外様 （構成員数×－0.5SPのSPボーナス） 組長・若頭の肩書き持ちの構成員と下位の構成員のSPが並ぶと下剋上が発生。肩書きを賭けて1R先取のタイマンとなる。 下剋上タイマン 下剋上タイマンで勝てば肩書きを獲得（もしくは維持）、さらに 「任侠魂」（NEW！！） を二つ入手できる。 負ければ下剋上専用の落とし前をとることになる 外様が組長まで上り詰めた場合 組織乗っ取り となり、 組織名が変更となる 。 下剋上専用落とし前 舎弟化 勝者キャラの舎弟となる。以後は勝者キャラより上の肩書きは名乗れなくなる（NEW！！） 相談役就任 相談役となり、組長・若頭にはなれなくなる 寝返り いずれかの組織に 外様 として編入 破門 組織から破門されリザーバーに編入。（戦績リセット（NEW！！）） 粛清（NEW！！） 大会から完全に敗退 カチコミ カチコミ形式は「チーム戦」「タッグ」「タイマン」の3形式。 7組織から相手を決定して・・・それぞれの参戦者を選出する。チーム戦の場合、参戦順序はSPの低い順に並べ替えられる。 落とし前ポイント 落とし前ポイントは★で表現され、敗北条件に応じて★が加算。★が3つたまると落とし前となる。 落とし前をつけると★は2つ消える。 ★加算事由 いずれも敗北側組織でタイマン、タッグ時にストレート負け。 3VS3時に1人もKOできなかった場合（各キャラクターごとに判定） 落とし前内容 破門 組織から破門されリザーバーに編入（戦績リセット（NEW！！）） 不問 特になし 寝返り いずれかの組織に 外様 として編入 粛清（NEW！！） 大会から完全に敗退 動画の流れ 1回の動画でカチコミ4セットを行い、のちに強制イベント1セットを実施する。 強制イベントは3つのうちいずれかが行われる（強制イベントの結果は落とし前ポイントの対象外）。 なお強制イベントが行われるのは組織数が4以上残っている状態のみ。生き残り組織数が3になった地点で強制イベントは終了となり以後行われなくなる。 強制イベント 構成員勧誘 リザーバーと構成員の誰かがタイマン。勝てば対戦相手が構成員として加入する。但し勧誘できるのは1つの組織につき最大3名まで（寝返りはノーカウント）。組長が変更になった場合、3名枠を使い切っていた場合に限り1名枠追加される。 ガサイレ 日本最大の暴力機構、 桜田門組 によるガサイレ。3対3のチーム戦だがPart.10以降は 警視庁長官方針 により3対1の対決になる。 任侠魂鍛錬（NEW！！） 任侠とはなにか。ファンタジー相手に、魂を鍛える。勝てば 任侠魂 をひとつ入手できる。 任侠魂とは（NEW！！） 任侠魂 はイベント戦以外にも気合いを見せればついてくる。 魂でひとつでAttack＋10UP。重複もあり。 ★が追加される場面で任侠魂を保持している場合任侠魂を1つ失う代わりに★追加免除となる。 任侠魂獲得条件 任侠魂鍛錬で勝利。 ヒラ構成員あるいは鉄砲玉がタイマンで敵若頭あるいは組長を下した場合。 チーム戦で3タテ行った場合。 桜田門撃退。（参戦者全員×1） 下剋上達成あるいは阻止。（×2） 組織の解散について 組織の構成員が2人以下になるとその組織は解散となる。 組織の解散が発生した際残された構成員は解散専用ランセレで身を振ってもらうことになる。 解散用ランセレ内容 野に下る リザーバーに編入（破門時同様戦績リセット（NEW！！）） 敵軍門に下る いずれかの組織に 外様 として編入 粛清（NEW！！） 大会から完全に敗退 頂上決戦 + ネタバレ注意！！ 抗争に生き残った2組織が争う最終決戦。SPの低い順から4on4のチーム戦で行われる。 1セット終了地点で負けた組の構成員は脱落、勝利した組の構成員は体力全快で次回セットに持ち越せる。 先に全ての構成員を撃破した組織が MUGEN極道界の頂点（優勝） となる。 出場組織 + ... 組織名 構成員 肩書き 製作者 AI製作者 備考 轟斗組 暴君 ゴート 組長 日本破壊結社NHK氏 わくわく氏 Lv.5 初期Attack80 再生怪人 トリガー 若頭 mass氏 NS氏 Lv.5 ノーマルゲージ 光裂く閃影 ディカープリ pullo氏 NS氏 Lv.5 元・警官 レオーネ・アバッキオ あまりもの氏 デフォルトAI Lv.11 闘いの殉教者 グラント 虻蜂氏 デフォルトAI Lv.6 初期Attack85 超熱血漢 ジン・サオトメ 信遊亀氏 ガンホール氏 Lv.2 スパイスガールズ トリッシュ・ウナ あまりもの氏 デフォルトAI Lv.8 悪落ち 洗脳された高嶺響 鉄砲玉 kmym氏 デフォルトAI 原作再現（？） 鳴神組 番長 鳴上悠 番長 全俺氏 デフォルトAI Lv.4 虐殺の交響曲 ルガール・バーンシュタイン 若頭 悪咲3号氏 yuki氏 EX固定 Lv.10 太い男 松尾象山 ですからー氏 デフォルトAI Lv.6 ダイヤモンドは砕けない 東方仗助 280号氏 デフォルトAI 初期Attack70 赤きサイクロン ザンギエフ（兄） MASA＠DAS氏 rei氏 初期Life1100 宇宙逆転よゆうッチ ユリ・サカザキ エス氏 デフォルトAI Lv.10 蠱惑の裁断 バイス or2=3氏 ヅァギ氏 Lv.9 恥知らずの紫煙 パンナコッタ・フーゴ 鉄砲玉 あまりもの氏 森の中氏（同梱） Lv.11 蔵兎座組 闇の帝王 ヴォルフガング・クラウザー 組長 虻蜂氏 デフォルトAI 1LINE固定 Lv.5 復活の総帥 ベガ 若頭 P.o.t.s氏 misobon_ism氏 6Pカラー 最年少チャンピオン 範馬刃牙 tokage氏 デフォルトAI 私刑執行人 山崎竜二 虻蜂氏 デフォルトAI 1LINE固定 Lv.6 初期Attack85 彼岸の剣客 不律 みきた氏 斑鳩氏 Lv.8 武神 愚地独歩 tokage氏 デフォルトAI Lv.10 初期Life1100 蹴撃の麗人 キング NS氏 デフォルトAI Lv.5 地獄兄弟 矢車想 鉄砲玉 Jaki氏 デフォルトAI Lv.8 出母音亜組 S級女子高生 竜子2nd 組長 OGGY氏 デフォルトAI 初期Attack80 警官殺し ハリー・ネス 若頭 NS氏 デフォルトAI Lv.6 切り裂き通り魔 チョイ・ボンゲ Noobic Cube氏 デフォルトAI Lv.6 Ms.下剋上 アオバ ぐり氏 デフォルトAI 黄金の風 ジョルノ・ジョバァーナ あまりもの氏 デフォルトAI Lv.11 初期Attack90 鉄球大暴走 チャン・コーハン Le＠n氏 溝星氏 Lv.2 緋炎の昇龍 ケン MASA＠DAS氏 rei氏 1st 白面の悪魔 ミステリアス・ブドー 鉄砲玉 ですからー氏 デフォルトAI Lv.7 慙愧一家 兄より優れた弟 ザンギエフ（弟） 組長 悪咲3号氏 大艦氏 EX固定 初期Life1100（最新版非対応） 純潔の太刀筋 覚醒した高嶺響 若頭 蔦影氏 デフォルトAI 初期Attack90 戦慄の嘘発見器 ブローノ・ブチャラティ yoroko氏 森の中氏 Lv.7 初期Life700 ザ・グレイトフル・デッド プロシュート兄貴 あまりもの氏 デフォルトAI Lv.11 Life1100 拳銃使い グイード・ミスタ あまりもの氏 デフォルトAI Lv.8 初期Life800 ラディカル・グッド・スピード ストレイト・クーガー いの氏 GURI氏 初期Life700 第4区画の黒い翼 クール mass氏 流れ者氏 初期Attack110 ノーマルゲージ 伝説の男 ダン 鉄砲玉 P.o.t.s氏 misobon_ism氏 針宇怒組 正義の鉄槌 キャプテンコマンドー 組長 悪咲3号氏 HEESEY氏 EX固定 復讐鬼 神無月輝美 若頭 NS氏 デフォルトAI Lv.5 喧嘩屋 シェン・ウー アフロン氏 ちぃたま氏 Lv.5 狂える猛牛 D・バイソン キャノン娘氏 デフォルトAI 初期Attack120 喧嘩百段 溝口誠 とけい氏 NS氏 Lv.3 戦う州知事 ダッチ・シェーファー ですからー氏 デフォルトAI Lv.7 無頼漢 ヤシャオウ 日本破壊結社NHK氏 ガンホール氏 Lv.1 初期Attack80 大凶魔奴義亜 ソドム 鉄砲玉 ですからー氏 デフォルトAI Lv.10 初期Life1100 覇印羅院 暗黒真空拳 カイン・R・ハインライン 院長 虻蜂氏 デフォルトAI Lv.6 復讐の紫炎 八神庵 若頭 or2=3氏 斑鳩氏 Lv.5（※AI公開停止に伴いPart.20で離脱） 夢想抜刀流 タキ NS氏 デフォルトAI Lv.5 男 ダルトン 日本破壊結社NHK氏 わくわく氏 Lv.3 暗黒街の支配者 ギース・ハワード P.o.t.s氏 misobon_ism氏 6Pカラー 兇眼のエージェント 塞 みきた氏 はっぱ氏 ダガー氏パッチ入り Lv.3 黒龍会 カノウ Binho-RJ氏 究極神軒氏 暗黒街の臥龍 ルチオ・ロッシ 鉄砲玉 mass氏 おまけの人氏 ノーマルゲージ + リザーバー リザーバー リザーバー名 製作者 AI製作者 備考 地上最強の生物 範馬勇次郎 tokage氏 デフォルトAI リザーバー枠が0の時のみ勧誘可能 キョグギン・サギザザ ゴ・バダー・バ KEI166氏 デフォルトAI ラブリンハンター バレッタ KoopaKoot氏 馬の骨氏 Lv.3 バイツァ・ダスト 川尻浩作 あまりもの氏 デフォルトAI Lv.12 爆弾職人（13才♀） Tiny Rabbit Fluffy maitake氏 デフォルトAI Lv.4 不動産王 カルロス NS氏 デフォルトAI Lv.6（八神庵のAI公開停止によりPart.21より代打で緊急参戦） + 任侠魂闘魂者 任侠魂闘魂者 闘魂者名 製作者 AI製作者 備考 愛の伝道師 ザビー googoo64氏 デフォルトAI 初回のみLife500 東京受胎 人修羅 ÷ゆうき÷氏 ガラクタ集め氏 Lv.1 ジュノ大公国初代大公 カムラナート おかん氏 デフォルトAI Lv.1 デルバーニャ・ポテポタ まるるん Inverse氏 わくわく氏 Lv.4 大地に咲く一輪の花 キュアブロッサム Marisya氏 つづら氏 ガードレベル5 堪忍袋普通 魔神 アルダー はぐれ者氏 デフォルトAI Lv.5 第19番目の使徒 ヤッテヤルデス おつかい氏 デフォルトAI Lv.5 他初期値 + 日本最大の暴力機構、 桜田門組 日本最大の暴力機構、 桜田門組 降龍 -リュウ（降龍仕様） 製作者：N-Mario氏 AI：デフォルト 巨人 -ウルトラマン 製作者：くまさお氏 AI：デフォルト Life1500,Attack50 健全ロボ -ジャスティス 製作者：無敵医師氏 AI製作者：ナテルオ氏（Lv10） Life1500 メイン盾 -ブロントさん 製作者：ﾘｭｰｻﾝ氏 AI製作者：Geros氏（Lv10） 他ステータス初期値のまま 暗黒父 - 警視庁長官 ダース・ベイダー 製作者：googoo64氏 AI：鳳凰天空舞氏（Lv10） Attack200 天帝 -ギル 製作者：GM氏 AI：KELN氏 AI初期値（いろいろMAX） （※）Part.10以降は警視庁長官の方針により全構成員のステータスが強化される （降龍以外）。 + オマケミニゲーム 主に 粛清 となってしまった構成員が参加するミニゲーム（Part.29より開催）。 次々と現れるクローンヤクザ（nboj氏製作 デフォルトAI 12P）を時間内に何人殺せるかを競う。 関連大会 仁義なき戦い 仁義なき戦い MUGEN死闘編 仁義なき戦い 桜田門の変 ニンジャスレイヤー ジャドー・コン（番外編） 仁義なき戦い4 コメント 今回も早速作成～完走期待してる～よ～ -- 名無しさん (2014-08-10 12 29 09) うぉっほう！ -- うｐ主 (2014-08-11 13 41 07) 興奮して手が滑った。早速記事作成ありがとうございます！本当毎回お手数をおかけして申し訳ございません。完走目指してがんばります！ -- うｐ主 (2014-08-11 13 42 05) 名前 コメント マイリスト
https://w.atwiki.jp/niconicomugen/pages/2271.html
「今日を境に謎ロボは『謎』から解き放たれる・・・といいなぁ。」 解説 電波的な彼女彼氏他のトーナメントその5にて、ビルド（うｐ主）の出所祝いに駆けつけた ChronosらOne Must Fall 2097勢の要望により開催されることとなったスピンアウト的トーナメント。 その気合の入ったOPからは、うｐ主の 謎ロ ･･･もとい、One Must Fall 2097勢にかける熱い思いを感じ取ることができるだろう。 トーナメントはダブルイリミネーション形式によって進行されるので、彼らの戦いを存分に堪能しよう。 これまで 謎ロボ とばかり呼ばれてきた彼らの真の実力が今、ここに明らかにされる！？ 出場キャラクター Jaguar Shadow Thorn Pyros Electra Katana Shredder Flail Gargoyle Chronos Nova（シード） コメント 以外と強いのね。謎ﾛﾎﾞ -- 名無しさん (2009-04-09 16 02 52) ↑謎ロボじゃねぇ、ＯＭＦ2097だ -- 名無しさん (2009-04-09 17 10 30) 謎ロボはもうちょっとAIが強ければ・・・ -- 名無しさん (2009-04-09 17 37 15) でもこの大会の謎ｒいやOMF2097キャラはいい動きしてないか？うp主がAI作ったのかな -- 名無しさん (2009-04-09 17 46 57) このうｐ主はMUGEN初心者らしいからAIは作ってないんじゃね？ -- 名無しさん (2009-04-09 18 26 24) 本当にイイ動きだな。先が楽しみ -- 名無しさん (2009-04-09 19 07 21) 出た大会が特異なルールだからAI入ってるかわかりづらいし、元々いいAIが入ってたんだと思うｗ -- 名無しさん (2009-04-09 19 55 58) 謎ロボはもっと評価されるべき -- 名無しさん (2009-04-09 20 18 24) Flail強いなあ。 -- 名無しさん (2009-04-11 21 21 27) クロノスの無敵化は面白い超必だな。弱い弱いと嘆かれる１２辺りにアレンジしてみると面白いかもしれん -- 名無しさん (2009-04-11 21 43 25) みんなデザインが凝っててスキだな。特にFlailは他に類を見なくていい感じ -- 名無しさん (2009-04-11 21 50 07) Nova強いなあ。豊富な飛び道具に全地上判定とかＫＯＦラスボスを彷彿とさせる -- 名無しさん (2009-04-13 23 38 16) そりゃラスボスですから。 -- 名無しさん (2009-04-14 00 06 50) いつのまにか謎ロボ全部項目できてるなあ。すげえ。 -- 名無しさん (2009-04-16 13 59 15) ついに謎ロボが評価される時代が来たな -- 名無しさん (2009-04-16 20 16 58) 新作来た。おまけの紹介のおかげで、OMF勢の謎ベールが徐々に脱がされていく・・・といいなあ -- 名無しさん (2009-04-26 02 46 55) おｗｗｗまｗｗｗけｗｗｗ -- 名無しさん (2009-05-18 01 03 45) なんかもうFlailがかわいくて仕方ない。・・・ギジマユのことは置いておいてｗ -- 名無しさん (2009-05-22 13 01 23) 名前 コメント マイリスト 【ニコニコ動画】mugen動画
https://w.atwiki.jp/duelarena/pages/162.html
パートナー一覧＞名前 テキスト A speedy knight who battles by two lances. "Spiral Spear Strike" blow through your enemy! This deck mainly consists of monsters who have the name "Gaia" on them. They can damage the opponent s monsters with penetration effect. 和訳 (翻訳募集) 概要 デッキ名：Spiral Spear Strike 入手条件：イベント 初期RP：5 レア度：SUPER 解説 デッキの特徴を書く。 デッキ内容 モンスター(24枚) 枚数 カード名 種類 星 属性 種族 攻撃力 守備力 備考 3 暗黒騎士ガイア 通常 7 闇 戦士 2300 2100 3 疾風の暗黒騎士ガイア 効果 7 闇 戦士 2300 2100 3 カース・オブ・ドラゴン 通常 5 闇 ドラゴン 2000 1500 3 砦を守る翼竜 通常 4 風 ドラゴン 1400 1200 3 フェアリー・ドラゴン 通常 4 風 ドラゴン 1100 1200 3 沼地の魔神王 効果 3 水 水 500 1100 3 火炎草 通常 2 地 植物 700 600 3 プチリュウ 通常 2 風 ドラゴン 600 700 魔法(12枚) 枚数 カード名 種類 備考 3 螺旋槍殺 永続 3 凡骨の意地 永続 3 融合 通常 3 リロード 速攻 罠(4枚) 2 メテオ・レイン 通常 2 竜の逆鱗 永続 エクストラデッキ(12枚) 枚数 カード名 種類 星 属性 種族 攻撃力 守備力 備考 3 F･G･D 融合 12 闇 ドラゴン 5000 5000 3 カイザー・ドラゴン 融合 7 光 ドラゴン 2300 2000 3 竜騎士ガイア 融合 7 風 ドラゴン 2600 2100 3 暗黒火炎竜 融合 4 闇 ドラゴン 1500 1250 サイドデッキ(3枚) 枚数 カード名 種類 星 属性 種族 攻撃力 守備力 備考 3 融合解除 速攻